Qendra Kinematografike e Kosoves

KANË FILLUAR XHIRIMET E FILMIT TË SHKURTËR “NI LATTE PA QUMËSHT”

Më 14 qershor 2026 kanë filluar xhirimet e filmit të shkurtër “Ni latte pa qumësht”, me skenar dhe regji nga Mjellmë Istrefi dhe producent Shkumbin Istrefi.

Në film luajnë: Tristan Halilaj, Ilire Vinca, Gentrit Shala, Blerta Ismaili, Selman Jusufi, Orgeta Brahimi, Liza Curri, si dhe aktorë të tjerë.

Drejtor i fotografisë është Naum Doksevski.

Filmi është prodhim i Mayfly Productions dhe është mbështetur nga Qendra Kinematografike e Kosovës.

SEE Cinema Network announces its 𝟮𝟬𝟮𝟲 𝗙𝘂𝗻𝗱𝗶𝗻𝗴 𝗥𝗼𝘂𝗻𝗱.

📣 We call for 𝗳𝗶𝗰𝘁𝗶𝗼𝗻 𝗳𝗲𝗮𝘁𝘂𝗿𝗲 𝗳𝗶𝗹𝗺 projects in 𝗱𝗲𝘃𝗲𝗹𝗼𝗽𝗺𝗲𝗻𝘁 stage, which have the form of international co-productions between 𝗮𝘁 𝗹𝗲𝗮𝘀𝘁 𝟮 SEE Cinema Network member states. Selected projects will receive 💶 9.000€ supporting the film's further completion.

Submit your project through the 📁 online application form found on our website. We will be accepting applications until 🗓️ 𝟭𝟱 𝗦𝗲𝗽𝘁𝗲𝗺𝗯𝗲𝗿 𝟮𝟬𝟮𝟲.

𝗠𝗢𝗥𝗘 𝗜𝗡𝗙𝗢 / 𝗔𝗣𝗣𝗟𝗜𝗖𝗔𝗧𝗜𝗢𝗡 𝗙𝗢𝗥𝗠
🔗 seecinemanetwork.eu/2026/06/15/2026-funding-round/

Qendra Kinematografike e Kosovës fton të gjithë të interesuarit të dërgojnë propozime për konsiderim për çmimet e Akademisë OSCAR, për kategorinë për film ndërkombëtar/gjuhë të huaj, i cili mund ta përfaqësojë Kosovën në edicionin e 99-të të Academy Awards.

Në këtë kategori përfshihen filmat e metrazhit të gjatë artistik, dokumentarë dhe të animuar më të gjatë se 40 minuta, që kanë filluar ose do të fillojnë shfaqjen e tyre të parë publike në kinema jo më herët se 1 tetor 2025 dhe jo më vonë se 30 shtator 2026, dhe që shfaqen për më së paku 7 ditë radhazi në një kinema komerciale me pagesë.

Në periudhën kualifikuese dhe gjatë shfaqjes në kinema, filmi duhet të reklamohet dhe shfrytëzohet në atë mënyrë e cila konsiderohet normale dhe e zakonshme me praktikat e shpërndarjes së filmave të dedikuar për shfaqje të parë në kinema (theatrical release).

Filmat të cilët, në një formë apo tjetrën, realizojnë shfaqje publike jo në kinema dhe shpërndarje para shfaqjes kualifikuese, nuk do të merren në konsideratë për çmimet OSCAR. Shfaqje publike jashtë kinemave konsiderohen të jenë (por nuk kufizohen vetëm në): transmetimi dhe televizioni kabllor, PPV/VOD, shpërndarjet e DVD-ve, shpërndarjet gjatë fluturimeve ajrore, transmetimet në internet etj.

Filmi duhet të ketë titra në gjuhën angleze dhe të përmbushë kushtet e tjera të përcaktuara në rregulloren e Akademisë.

Në linkun e mëposhtëm gjeni detajet e tjera rreth aplikimit:

https://www.oscars.org/rules

Propozimet mund t’i dërgoni përmes postës elektronike në:

[email protected]

apo fizikisht në:

Qendra Kinematografike e Kosovës

Rruga UÇK nr. 273

10000 Prishtinë

Kosova

Afati i fundit për aplikim është 26 qershor 2026, ora 16:00.

Over two days, Kosova Film Days in Lisbon brought together filmmakers, cultural professionals, diplomats, students, and audiences from Kosovo and Portugal around a shared exploration of contemporary cinema and cultural exchange.

The programme presented a selection of films that have helped shape Kosovo’s growing presence within European and international cinema, including Vera Dreams of the Sea by Kaltrina Krasniqi, Looking for Venera by Norika Sefa, The Beauty of the Donkey by Dea Gjinovci, Hive by Blerta Basholli, as well as the short films Prishtinë 2002 by Trëndelina Halili and SOS by Anita Morina.

The screenings were accompanied by a discussion on women’s voices in contemporary European cinema, the circulation of films across borders, and the emergence of women filmmakers within Kosovo cinema over the past decade.

One of the themes that emerged throughout the conversation was the relationship between local experience and international circulation. Many of the films presented in Lisbon are deeply rooted in specific places, languages, histories, and everyday realities. Yet they have also travelled widely and resonated with audiences far beyond Kosovo.

Perhaps this is one of the reasons cinema continues to matter. Films do not simply travel from one place to another; they create opportunities for encounter, allowing local experiences to enter into dialogue with wider audiences and become part of a shared European and global film culture.

Thank you to all our partners, guests, speakers, and audiences for contributing to these conversations and helping make the first edition of Kosova Film Days in Lisbon possible.

🇽🇰 🤝 🇵🇹 🎬

Last Friday, the first edition of Kosova Film Days in Lisbon opened at the National Museum of Ethnology, bringing together filmmakers, cultural professionals, diplomats, and audiences from Portugal and Kosovo around a shared belief in the power of cinema to create dialogue across borders.

The evening opened with welcome remarks from Ambassador Edona Maloku Berdyna, Lum Çitaku, Director of Programs at the Kosovo Cinematography Center (QKK), Vítor Pinheiro on behalf of the Portuguese Institute of Cinema and Audiovisual (ICA), and representatives of the National Museum of Ethnology.

In her opening remarks, Ambassador Edona Maloku Berdyna reflected on the role of culture in bringing people closer together:

“Through film, Kosovo shares stories of resilience, identity, memory, and hope. Though rooted in specific places and experiences, these stories remind us of what connects us across cultures and societies.”

Lum Çitaku, Director of Programs at the Kosovo Cinematography Center, highlighted cinema’s capacity to create encounters and deepen understanding:

“We live in a time when we are constantly connected, yet often know very little about one another’s lives. Cinema allows us to encounter people, places, and experiences beyond our own, not only as stories to watch, but as opportunities to reflect, to attend to, and to better understand ourselves and one another.”

Representing ICA, Vítor Pinheiro emphasized the significance of cultural exchange between Portugal and Kosovo:

“Although Portugal and Kosovo may not yet have a long history of cinematic collaboration, cinema has a unique ability to bring people into conversation and build connections that can grow into lasting cultural exchange.”

Representing the National Museum of Ethnology, Gonçalo de Carvalho Amaro expressed his pleasure at hosting Kosova Film Days in Lisbon at the museum, welcomed all participants, and thanked the Embassy of the Republic of Kosovo in Portugal and all partner institutions involved in bringing the event to life.

The evening continued with the screening of Vera Dreams of the Sea by Kaltrina Krasniqi, one of the most acclaimed contemporary films to emerge from Kosovo in recent years and part of a remarkable generation of women filmmakers whose work has helped shape Kosovo’s growing presence within European and international cinema.

Thank you to everyone who joined us for this opening evening and contributed to the conversations, encounters, and exchanges that make cinema meaningful.

🇽🇰 🤝 🇵🇹 🎬